Time Being: An Exhibition. Ruairí Corr and Deborah Robinson, Peltz Gallery 25 February – 8 April 2022

Time Being by Ruairí Corr and Deborah Robinson

Time Being is a 14-minute film which meditates on waiting and care. In a research system that prioritises speed of production and the written word, Time Being explores how touch is also central to methods of knowledge building and creative enquiry, enabling alternative and perhaps more careful perceptions of time. It was commissioned by Waiting Times, a research project investigating time and care based at Birkbeck, University of London and the University of Exeter, and funded by the Wellcome Trust.

Time Being Catalogue

Peltz Gallery
25 February – 8 April 2022
Monday to Friday, 10am⁠-8pm
Closed on weekends

Free entry. Booking essential.

For more information and booking visit the Peltz Gallery website

Time Being: An Exhibition and Seminar. 17th March 2022

Please join Lisa Baraitser, Harriet Cooper, Martin O’Brien, Rachel Purtell, Laura Salisbury and Sejal Sutaria for an evening of discussion about care and waiting centred around Time Being, a 14-minute film made by artist Deborah Robinson in collaboration with Ruairí Corr, a creative maker who works through co-production.

Time Being offers a sensory exploration of what it means to wait. Deborah writes, “working with Ruairí encouraged me to slow my pace to match with his, to let go of pre-set ideas and pay careful attention to qualities in the footage gathered – a path that led to a film structure organised around touch, materials and sound.” Through holding and containing time differently, Ruairí and Deborah open up new possibilities for creative expression – for divergent, slow-forming ideas rendered inaccessible by more normative ways of being in the world and in time. Time Being tackles the crucial question of the time needed for care in a context in which time appears to be always running out.

Time Being was commissioned as part of Waiting Times, a Wellcome Trust funded research project based at Birkbeck, University of London, and the University of Exeter that brings together academics and artists to offer a fundamental re-conceptualisation of the relation between time and care in contemporary thinking about health, illness, and wellbeing.

The event will be held in person at Birkbeck in conjunction with an exhibition of the film at the Peltz Gallery, and can also be joined online. Those who attend in person will watch the film together, and then join a panel discussion with experts-by-experience, artist-researchers, and academics working across disability studies, the medical humanities, and critical time studies. Those attending online can watch an online version of the film prior to the panel discussion.

Contributors:

Lisa Baraitser is Professor of Psychosocial Theory, Department of Psychosocial Studies, Birkbeck, University of London. She is co-Principal Investigator of the Waiting Times project, and has written widely on time and care.

Harriet Cooper is Lecturer in Medical Education (Sociology) at the University of East Anglia. She works at the intersection of medical humanities, disability studies and applied qualitative health research and is the author of Critical Disability Studies and the Disabled Child: Unsettling Distinctions (Routledge, 2020),

Martin O’Brien is Senior Lecturer in Live Art at QMUL and a performance artist and scholar whose work is concerned with the performance and representation of illness and disability. He uses physical endurance, hardship and pain-based practices to challenge common representations of illness and to examine what it means to be born with a life-threatening disease. He is recently the recipient of the 2021 Leverhulme Trust Prize in Live Arts.

Rachel Purtell is a Disabled Woman. She was the Director of Folk.us at the University of Exeter, where she facilitated and supported the involvement of service users, patients or/and carers in medical and social care research to ensure that service users have a positive and meaningful impact on research, research processes, and research structures. Rachel lectures on involving people in research and on Disability Equality and delivers training using the Social Model of Disability as the central approach. She currently acts as the Critical Friend for Engaged Research at Wellcome Centre for Cultures and Environments of Health at the University of Exeter and has published widely on involvement and disability issues.

Deborah Robinson is an artist working collaboratively and across disciplines with scientists, artists, biomedical experts and technologists to make installation artwork using moving image and sound. She uses experimental film-based processes to explore issues in science, health and the environment. She is Honorary Artistic Research Fellow at the Wellcome Centre for Cultures and Environments of Health, University of Exeter and previously was Associate Professor in Contemporary Art Practice at the University of Plymouth.

Laura Salisbury is Professor of Modern Literature and Medical Humanities, working between Exeter University’s Dept. of English and Film and the Wellcome Centre for the Cultures and Environments of Health. With Lisa Baraitser, she is co-Principal Investigator of Waiting Times. She has published widely in modern and contemporary literature, particularly on the work of Samuel Beckett; on neurology, psychoanalysis, and literature; and on ethics and time. She is current President of the Samuel Beckett Society.

Sejal Sutaria is a visiting-assistant professor of 20th and 21st Century Postcolonial Literature at Grinnell College, US. Prior to this she completed a Marie Curie Fellowship at King’s College, London. Her current book manuscript, Making Waves: Britain, India, and the Sounding of Postcolonial Resistance, examines how sound archives amplify our understanding of the role that globally circulating ideas, capital, and migrants played in shaping anticolonial resistance in the colony and the metropole. She has published widely including a piece about Venu Chitale to the 100 Voices that Made the BBC.

When:
Venue: Birkbeck 43 Gordon Square

Book your place

Laura Salisbury’s talk “On Not Being Able to Read: Doomscrolling and Anxiety in Pandemic Times” January 11, 2022, 12:00 PM GMT

This talk analyses the phenomenon of ‘doomscrolling’ – the compulsive reading of anxiety-inducing online content – during the COVID-19 pandemic against the common idea that it is simply an addictive social practice that impedes mental flourishing. Instead, in order to open up its inclination towards care, I read doomscrolling through the anachronistic neologism that has come to define this textual practice. My talk reads the anxious textuality of Don DeLillo’s The Silence and Saidiya Hartman’s reworking of W. E. B. Du Bois’s ‘The Comet’ to demonstrate how doomscrolling emerges from a moment in which trust is anxiously fractured, but how it works, nevertheless, to witness what gets to count within a time felt to be coming to an end.

11th January 2022 

12pm GMT

Zoom Link: https://iitgn-ac-in.zoom.us/j/93379454169

Meeting ID: 933 7945 4169
Passcode: 052495

More details here.

 

 

Forms of Care shared reading list.

‘What forms does care take? What does taking care of oneself, another, or each other look and feel like?’ Members of the Waiting Times team recently joined scholars from critical medical humanities, disability studies, the environmental humanities, literary studies and feminist theory in response to the call to think about form as ‘that which might productively organise but also capture the protean nature of care’. These books, articles and projects are a selection of the work engaged in presentations and discussions across the workshop. They are shared here as a resource for others and to mark the event which took place online on the 9th and 10th September. The forms of care workshop was organised by Dr Erin Lafford (Oxford) and Dr Alexandra Kingston-Reese (York) courtesy of the University of York.

Details of individual presentations can be found below the reading list.

 

Forms for care conference – reading list selection:

Burke, L. (2014). Oneself as another: Intersubjectivity and ethics in Alzheimer’s illness narratives. Narrative Inquiry, 4(2), 28-47.

Butler, J. (2021) The Force of Nonviolence: An Ethico-Political Bind. Verso.

Fuchs, E (2005) Making an Exit: A Mother-Daughter Drama with Alzeheimer’s, Machine Tools, and Laughter. Metropolitan: New York.

Harney, Stefano, and Fred Moten. The Undercommons: Fugitive Planning & Black Study (2013) New York: Minor Compositions

Hedva, Johanna. (2015) ‘My Body Is a Prison of Pain so I Want to Leave It Like a Mystic But I Also Love It & Want It to Matter Politically.’ Lecture, Human Resources, Los Angeles, October 7.

Jacoby, O. (1919/2019) Words in Pain: Letters on Life and Death. Ed. by J. Catty and T. Moore. Oxford: Skyscraper Publications.

Karjevsky G., Talevi, R., Bailer, S., (eds) (2020) Letters to Joan Tronto. With Edna Bonhomme, Johanna Bruckner, Teresa Dillon, Joao Florencio, Johanna Hedva, Elke Krasny, Patricia reed, Yayra Sumah and Joan Tronto. New Alphabet School.

Kittay, E. F. (2003) The Subject of Care: Feminist Perspectives on Dependency (Feminist Constructions). Rowman & Littlefield Publishers.

Stengers, I., (2011) The Care of the Possible: Isabelle Stengers interviewed by Erik Bordeleau, Landscape, Architecture, Political Economy, (1): 12-17.

Schaffer, Talia (2021) Communities of Care: The Social Ethics of Victorian Fiction. Princeton, N.J.: Princeton University Press.

The Care Collective (2020) Andreas Chatzidakis, Jamie Hakim, Jo Littler, Catherine Rottenberg, and Lynne Segal. The Care Manifesto: the Politics of Interdependence. London: Verso.

The Mind’s Eye (2021) Care Syllabus. MCLA. https://www.caresyllabus.org/about

Mol, Annemarie, Ingunn Moser, and Jeannette Pols (2010) ‘Care: Putting Practice into Theory’, in Care in Practice: On Tinkering in Clinics, Homes and Farms, ed. by Annemarie Mol, Ingunn Moser, and Jeannette Pols (Verlag, Bielefeld: transcript).

Out of the Woods Collective (2020) Hope Against Hope: Writings on Ecological Crisis. Brooklyn, NY: Common Notions.

Whitehead, Anne. (2017) Medicine and Empathy in Contemporary British Fiction: An Intervention in Medical Humanities. Edinburgh: Edinburgh University Press.

 

 

Programme:

Elizabeth Barry, ‘We Hang Up Laughing: Dementia, Care and the Temporality of Laughter’

Marie Allitt, ‘Stratifying Care: Geology and Grammar of Cancer and Hospital Care in Peter Reading’s C

Lucy Burke, ‘Taking time: Reading Ali Smith’s There But For I as a form of care’

Alice Hall, ‘Caring and Curating: Women, Work and the Carers UK Archive’

Zoe Weinberg, Jade Colon, Amira F. Hassan, and Savanna Schaefer, ‘The Free Form of Freewriting as a Form of Care’

Elisabeth Pedersen, ‘The Catholic Worker Care Model: Building Interdependent Caring Communities and Kinships’

Lisa Baraitser and Stephanie Davies, ‘Waiting as Care’s Form: Notes from the Waiting Times Project’

Michael Flexer, ‘Signs You Care: Form in the Semiotic of Caring’

Jocelyn Catty and Laura Sailsbury, ‘Writing into the Future: Letters as Containers of Time and Care’

Jordan Osserman, ‘The ‘Object’ of the Puberty Blocker’

Kelechi Anucha, ‘Form and Fugitive Care’

Nicola Kirkby, ‘Care and Repair: Narrative Infrastructure in Elizabeth Gaskell’s Ruth (1853)’

David James, ‘Pathographic Close Reading’

Levi Prombaum, ‘A No Manifesto for Caring in Cultural Interpretation’

Victoria Papa, ‘Caremaking: Beyond Give & Take’ 

Laura Thompson, ‘Museological Critiques and Accessibility’

 

Stephanie Davies

The Last Breath Society: A Seminar. Online on Thursday, September 16, 2021 6:00 PM – 8:00 PM BST

An evening of talks and discussion emerging from ideas in Martin O’Brien’s installation-performance The Last Breath Society: Coughing Coffin

Please join Martin O’Brien, Kelechi Anucha, Lisa Baraitser, Dominic Johnson, Zack Mennell, Laura Salisbury, Joseph Morgan Schofield, Shabnam Shabazi, Nisha Ramayya, and Sheree Rose for an evening of discussion of Martin O’Brien’s recent performance piece, The Last Breath Society (Coughing Coffin) performed at the ICA, London, and his theoretical work on ‘zombie time’.

 

The evening will include contributions from members of the Waiting Times research team, and from artists, poets, academics and collaborators whose work was commissioned for The Last Breath Society, to explore questions of endurance, waiting, time and care.

‘The coffin is sealed shut; the faint sound of coughing can be heard from inside, ringing out through the night. In another place, a group are meeting. The Last Breath Society gather to breathe together, to mourn their own life and rehearse for the inevitable. ‘– Martin O’Brien

Martin O’Brien was born with a life shortening disease and recently surpassed his life expectancy – as such he is living in ‘zombie time’. The Last Breath Society (Coughing Coffin) continued Martin’s exploration of mortality through physical endurance, and long durations, considering the act of ‘waiting’ as a mode of survival. The work was performed for four hours a day, over eight days at the ICA, London. The performance developed over the days and explored how we wait for death. Each day, the performance used the remnants of the previous in a growing and changing installation.

As a living installation and exhibition, The Last Breath Society (Coughing Coffin) featured daily durational performances by Martin O’Brien and a series of 10 commissioned video works by Franko B, Ansuman Biswas, Rocio Boliver, Noëmi Lakmaier, Lechedevirgen Trimegisto, Joseph Morgan Schofield, Kira O’Reilly, Sheree Rose, Shabnam Shabazi, and Nicholas Tee.

Martin O’Brien is an artist and zombie. He works across performance, writing and video art. His work uses physical endurance, long durations, and pain based practices in order to examine what it means to be born with a life shortening disease, and to live longer than expected. He has shown work throughout the UK, Europe, USA, and Canada. This has included at Tate Britain, Spill Festival of Performance (both London), Kapelica Gallery (Ljubljana), Performatorium Festival of Queer Performance (Regina), Venice Week of Performance Art (Venice), In Between Time Festival of Contemporary Performance (Bristol), Grace Exhibition Space, Abrons Art Centre (both New York) and as artist in residence at ONE National Gay and Lesbian Archives (Los Angeles). Martin has cystic fibrosis and all of his work and writing draws upon this experience. In 2018, the book Survival of the Sickest: the Art of Martin O’Brien was published by Live Art Development Agency. He is currently senior lecturer in Performance at Queen Mary University of London. He recently surpassed his life expectancy and is enjoying life as a zombie.

Conceived and performed by Martin O’Brien, with sound by Suhail Merchant. Produced by Joseph Morgan Schofield, and production managed by Thomas Wilson. Martin is assisted in the performance by Zack McGuinness.

The Last Breath Society (Coughing Coffin) has been commissioned as part of Waiting Times, a Wellcome Trust funded research project by academics from Birkbeck, University of London and the University of Exeter. Waiting Times offers a fundamental re-conceptualisation of the relation between time and care in contemporary thinking about health, illness, and wellbeing.

The Last Breath Society (Coughing Coffin) has been supported with public funds from Arts Council England.

Images taken during the performance by Manuel Vason.

Please register via the Eventbrite page. 

Forms of Care: An Interdisciplinary Workshop. 9-10th September. A two-day interdisciplinary workshop exploring care and its form(s) at the intersection of ethics, affect, and aesthetics.

Thu, Sep 9, 2021, 11:30 AM –

Fri, Sep 10, 2021, 3:30 PM BST

organised by  Alexandra Kingston-Reese and Erin Lafford

Continue reading “Forms of Care: An Interdisciplinary Workshop. 9-10th September. A two-day interdisciplinary workshop exploring care and its form(s) at the intersection of ethics, affect, and aesthetics.”

International Conference: Fiction in the Age of Globalization, 22 July 2021 9.15 am – 6.10 pm (CET)

On Thursday 22 July 2021  12-1 pm (CET)/11 am-12 pm (UK) Professor Laura Salisbury will give a keynote paper “On Not Being Able to Read: Doomscrolling and Anxiety in Pandemic Times” at the International Conference: Fiction in the Age of Globalization (Universität Tübingen, Germany, online)

For information and program click here.

For (free) registration and the Zoom link please get in touch at arya.aryan@uni-tuebingen.de

24 July, 2:00 pm – 25 July, 5:00 pm. Psychoanalysis for the People: Free Clinics and the Social Mission of Psychoanalysis Conference

*Discount tickets are available for Essex students and staff. For them, the conference cost is £25 for the whole event. You can access the ticket by going to the conference page, clicking the ‘Book Now’ button, then clicking ‘enter promo code’ in the new window. Then enter the code ‘People25‘, without quotations marks, which brings up the new ticket option.

PART 2: DIVERSITY OF PRACTICES

In 1918 Freud placed the free clinic at the heart of psychoanalytic thought and practice, and predicted that out-patient clinics would be started where treatment would be free.

His speech resonated with many psychoanalysts of his time, who were invested in the social mission of psychoanalysis and who were the authors of significant institutional innovations, setting up free and low-cost clinics in Vienna, Berlin and Budapest.

This conference starts from the premise that the more recent progressive histories of psychoanalysis remain little known among therapeutic practitioners. They are rarely written about in the professional literature or taught on trainings. Yet there is a rich tradition of psychoanalytic theory and practice which engages with the realities of social inequality based on class, gender, poverty, racism, and other forms of marginalisation. We aim to explore and recognise these socially-minded psychoanalytic practices, drawing on the experience of psychoanalysts working in free and low cost clinics in very different contexts, from Latin America, Africa, North America and Europe, through to the UK National Health Service. We ask what “psychoanalysis for the people” might mean in our times, more than 100 years after Freud’s famous speech.

Speakers: Joanna Ryan, Lisa Baraitser, Raluca Soreanu, Barry Watt, Geraldine Ryan, Christine Diercks, Daniel Gaztambide, Peter Nevins, Graham Music, Martin Moore, Emiliano de Camargo David

Keynote lecture: Tales Ab’Sáber (A Social Clinic as an Immanent Development of Psychoanalytic Theory: The Open Psychoanalysis Clinic)

This is the second of two conferences exploring socially engaged psychoanalytic practice. The first part took place on 16th and 17th January 2021 

Organised by: Raluca Soreanu & Joanna Ryan

Supported by: The Waiting Times Project (Wellcome Trust, PIs Lisa Baraitser and Laura Salisbury) and Balint Groups Project (Wellcome Trust, PI Raluca Soreanu).

Visit the Freud Museum to book tickets and see the full conference programme and abstracts.

 

The Last Breath Society (Coughing Coffin), ICA, London. 24 July – 1 August

The coffin is sealed shut; the faint sound of coughing can be heard from inside, ringing out through the night. In another place, a group are meeting. The Last Breath Society gather to breathe together, to mourn their own life and rehearse for the inevitable.

– Martin O’Brien

Continue reading “The Last Breath Society (Coughing Coffin), ICA, London. 24 July – 1 August”

9th July. Narrating Evidence. The second in a series of seminars about the uses and meanings of evidence in contemporary health contexts and beyond.

Can literary and oral narratives work as forms of evidence? What do they tell us that more objective, statistical or quantitative forms of data cannot? Lara Choksey and Kelichi Anucha discuss the interplay between literary narrative and health contexts.

Lara Choksey is postdoctoral fellow in the Wellcome Centre for Cultures and Environments of Health, University of Exeter working on a project which brings literary and cultural studies approaches to questions of heredity and environment in the ‘postgenomic’ era. Her monograph, Narrative in the Age of the Genome: Genetic Worlds (Bloomsbury), is out in February 2021.

Kelichi Anucha is a PhD candidate working on the relationship between time and care in end of life narratives, as part of the Wellcome Trust-funded research project Waiting Times. Her current project focuses on contemporary end-of-life literature and visual cultures, paying particular attention to representations of impeded, disrupted and alternate temporalities.

Fri, 9 July 2021

14:00 – 15:30 BST

Online. Book tickets here.

This event is part of Following the Evidence, a series of online seminar discussions about the uses and meanings of evidence in contemporary health contexts and beyond.  Hosted by the Index of Evidence project, Wellcome Centre for Cultures and Environments of Health, each session focusses on a particular type of interaction with evidence, and the kinds of things we do with it: narrating it, waiting for it, and perhaps increasingly, doubting it. More details at: indexofevidence.org/events


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