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We would like to invite you to save the dates for our end-of-grant hybrid conference: The Time of Care: Conclusions from the Waiting Times Project. The event will take place on Tuesday 28th March – Wednesday 29th March 2023, together with a special show by renowned performance artist, Martin O’Brien, to open proceedings on the evening of Monday 27th March.

Waiting is one of healthcare’s core experiences. There from the time it takes to access services; through the days, weeks, months or years needed for diagnoses; in the time that treatment takes; and in the elongated time-frames of recovery, relapse, remission and dying. However, though often discussed and considered in terms of waiting lists and times, and especially in relation to health and social care crises, waiting is also vital to practices of care. 

Waiting Times has explored what it means to wait in and for healthcare by examining lived experiences, representations, and histories of impeded and delayed time. The project has mobilised a range of artistic and engaged research methodologies, as well as ethnographic, philosophical and historical investigations to consider different forms of suspended, elongated, and “non-productive” temporalities in different sites and practices: in forms of watchful waiting and recurrent waiting with that take place in general practice, mental health services, and trans care; within modes of chronic care and forms of time that are held and unfolded within psychotherapy; and as part of cultural framings, experiences, and care provided at the end of life.

The conference offers a final chance for our researchers to showcase their work, to reflect collectively on its meanings and implications, and to bring the team into conversation with invited speakers and research partners across a number of panels and performances.

We would be very keen for you to join us for these interactions, either in-person (at the Friends’ House, Euston Road, London) or online. 

Registration will open very soon, and we will share the Eventbrite link once our page is live. Attendance is free, and there will be no cap on online attendance. Our in-person capacity will be limited, however, and spaces will be made available in due course. 

We (somewhat ironically) can’t wait to share this time with you and we very much look forward to seeing you in some capacity in March!

The Waiting Times Team.

 

29th of September, in The Old Operating Theatre, Jordan Osserman talked about his recent book Circumcision On the Couch. The evening was illuminated by short art performances by Martin O’Brien and FYTA, and a discussion with Professor Lisa Baraitser.

“Penises, and the things people do with them, have been subjects of controversy for a long time. Jordan Osserman’s recently published book Circumcision on the Couch draws on the discipline of psychoanalysis to examine how one thing that some people do to penises – surgically remove the foreskin – has become a site upon which vital questions of gender, race, religion, sexuality, and psychic life are negotiated. In this event, Jordan and his invited guests will make use of the Old Operating Theatre’s incredible surgical setting to bring to life some major themes of the book: the nineteenth-century transformation of circumcision from a religious rite to a medical procedure designed to cure ‘nervous illness’; the psychological dynamics of contemporary anti-circumcision activism (‘intactivism’); and the psychoanalytical theories that address the symbolic significance of the phallic ‘cut’. The event will include two short performances by internationally acclaimed artists Martin O’Brien and FYTA which will address contemporary debates around circumcision and gender politics, and a discussion with Professor Lisa Baraitser about the book”.

 

Martin O’Brien, photo by Alma Daskalaki

Jordan Osserman and FYTA, photo by Alma Daskalaki

 

Jordan Osserman is a Lecturer in the Department of Psychosocial and Psychoanalytic Studies at the University of Essex and a psychoanalyst in formation. His research interests include the medical humanities, the Lacanian tradition of psychoanalysis, left-wing politics, and gender/sexuality studies.
Martin O’Brien is an artist and scholar, concerned with the performance and representation of illness and disability. His artistic practice uses physical endurance, hardship and pain-based practices to challenge common representations of illness and to examine what it means to be born with a life-threatening disease. He is a member of the Waiting Times project and has performed at venues including the Tate Britain, ICA, and ONE National Gay and Lesbian Archives, and has been commissioned by organizations including Arts Council England and British Council.
FYTA are an Athens- and London-based conceptual and performance art duo comprised of artists and academics Dr Foivos Dousos and Dr Fil Ieropoulous. Their interdisciplinary work draws on queer and psychoanalytic ideas to question and destabilize notions of truth, national belonging, and naturality. They have performed/exhibited in venues including the Freud Museum, the Whitechapel Gallery, and the Athens Biennale; most recently they were commissioned by the Greek National Opera to stage a queer rendition of Orpheus.
Lisa Baraitseris Professor of Psychosocial Theory in the Department of Psychosocial Studies, Birkbeck College, and co-PI of the Waiting Times project, a five-year cycle of research on temporality and care in health contexts. She is the author of an award-winning monograph, Maternal Encounters: The Ethics of Interruption(2009) andEnduring Time(2017). Her work is concerned with gender and temporality, focusing on a range of durational practices and social projects (psychoanalysis, mothering, care, incarceration, activism) in a bid to understand affective survival in late liberal conditions.

This event was generously supported by the Department of Psychosocial and Psychoanalytic Studies at the University of Essex, and the Waiting Times project.